Science-fiction isn’t particularly suited to Godard’s gaze-so erratic and tongue-in-cheek, so uninterested in the exigencies and peculiarities of world-building is the legendary French director-but there is also no better visionary to attack the mind-fuck that is this weirdo Lemmy Caution adventure. Cronenberg creates a setting that one is never really able to dismiss from the mind ever again. Cronenberg may lay the social commentary on a little thick, but the results on screen are chilling. Elsewhere, people stand in line at meat markets to buy muscle tissue grown and cultivated from celebrity donors. People are so celebrity-obsessed, in fact, that a booming genetics business has developed to cater to disease hounds-people who literally want to be injected with specific strains of diseases, such as STDs, that have been harvested from various starlets. The film imagines a near-future, sci-fi tinged world where obsession with celebrity lives has replaced nearly every other facet of the arts. Although it can be a little slow and portentous, the setting and ideas are spectacular. When you’re the son of David Cronenberg, you have a lot to live up to in a horror film debut, and Brandon Cronenberg does an admirable job in his cerebral and icky horror flick Antiviral. Méliès, however, understood his limitations, embraced the artifice and, with that moon face taking a rocket to the eye, created something iconic.
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Modern viewers instinctively know how to spot basic camera trickery, especially when perspective and scale aren’t quite right. With its long, stagy takes and flat compositions, the primitive nature of the film is apparent, but Méliès makes up for it with charm. In turn, this light, colorful (make sure you watch the hand-painted, restored version) collage of whimsy follows a premise that would go on to serve sci-fi adventure films for more than a century: People embark on a journey and crazy shit goes down. While A Trip to the Moon only lasts 15 minutes, it still feels epic (plus, that runtime wasn’t considered so short in 1902). Here are the 100 best science-fiction movies of all time:
Chuckle at those futuristic visions that now seem all too quaint, marvel at those that still blow your mind, and perhaps squirm uncomfortably as you watch those that strike a bit too close to home. As we go about our lives with appliances more powerful than the super computers of a few decades ago, take a few hours here and there to check out some of these you haven’t seen and to revisit some you have. (I see you frowning-“But will there be dystopias,” you ask? Hell yeah, we got dystopias.)Īs you’ll see below, that leaves plenty of great films. Though, again, there are a few exceptions, for the most part you will not find Mad Max here, or Eli, or even that guy who is Legend. (For the real kaiju rank-o-phile, Jim has also taken the measure of every Godzilla monster.) Finally, joining superheroes and kaiju on the sidelines, are the post-apocalyptic (and a few mid-apocalyptic) films. If you want a nice roundup of Godzilla’s greatest hits, check out our own Jim Vorel’s ranking of Godzilla’s cinematic oeuvre.
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We’ve also left off, for the most part, the traditional giant monster/kaiju movie for the same reason. Though so many superhero stories involve the stuff of science fiction-aliens, high-tech and strange worlds-there are plenty of great sci-fi movies to include on this list without bumping 20 of them off for DC and the MCU. Superhero films are for the most part absent.
Before we dive into it, though, let’s discuss a few things this list will not have (or at least, not have many of). Thus, this list, while filled with films from the ’80s onward, has its fair share of older films. Unlike superhero films, which were so stunted for so long that almost every new one makes it onto our updated 100 Best Superhero Films of All Time list, science fiction proved fertile ground for filmmakers before the likes of Industrial Light & Magic supercharged a director’s ability to exceed our imagination. Much like its close genre cousin (nephew/niece?) the superhero film, the potential of cinematic science fiction exploded in the latter part of the 20th century thanks to technological advances that transformed special effects.
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